▲ 中国艺术研究院音乐研究所: 《曹安和纪念文集》, 北京: 文化艺术出版社, 2021.5, ISBN 978- 7-5039-6424-4, p. 131
This character is also used as the Pipa fingering letter, and its fingering name is 摭, which is different from Guqin, and it means “to pluck the string to the left with thumb, and to pluck the string to the right with index finger”.
This character has been included in the so-called “‘教育部本土語言’成果參考字表” in Chinese Taiwan as #6783.
There are three unencoded characters in this table, but ⿰出叕 (#6784) and ⿰耳休 (#6785) have not been submitted by any sources. BTW ⿰出叕 is also included in G4/G5. I suggest TCA do the horizontal extension for this character (⿰勿愛) and submit ⿰出叕 and ⿰耳休 as soon as possible if the table is important for the local people in Taiwan Province, and China NB could do the horizontal extension for ⿰出叕 later or submit ⿰出叕 with TCA at the same time.
IRG Working Set 2021v6.0
Source: Eiso CHAN
Date: Generated on 2024-03-19
Labels
Unification
Attributes
Support Ken and Conifer.
based on Comment #15154.
based on Comment #15154.
Evidence
▲ 王元鹿, 邓章应, 朱建军, 李静, 李明, 邱子雁: 《中国文字家族》 (刘志基: 《文字中国》), 郑州: 大象出版社, 2007.12, ISBN 978-7-5347-4920-9, p. 101
▲ 宋全忠: 《中国导游十万个为什么——台湾》, 北京: 中国旅游出版社, 2006.1, ISBN 7-5032-2721-4/K·944, p. 332
Agree with Conifer, Evidence 4 is not clear enough to confirm what it is.
⿹气土 has been included in WS2021 as 01956.
▲ 石朝江: 《中国苗学》 (《国际视野中的贵州人类学 苗学辑》), 贵阳: 贵州大学出版社, 2014.07, ISBN号 :978-7-81126-703-7, p. 159
▲ 《碣石調幽蘭》//楊宗稷: 《琴粹》, 風鹤琴齋藏本, Volumn 3, folio 2//楊宗稷: 《琴學叢書》, 舞胎仙館藏本
▲ 中国艺术研究院音乐研究所: 《曹安和纪念文集》, 北京: 文化艺术出版社, 2021.5, ISBN 978- 7-5039-6424-4, p. 131
This character is also used as the Pipa fingering letter, and its fingering name is 摭, which is different from Guqin, and it means “to pluck the string to the left with thumb, and to pluck the string to the right with index finger”.
https://b23.tv/QU1C4wN
If we can confirm this character is really used in Japan as the geographic name, it looks better to add it into Moji Joho in future.
▲ 冯卓慧: 《中国青铜乐钟考古》, 北京: 文化艺术出版社, 2023.1, ISBN 978-7-5039-7339-0, p. 2
▲ 王子初: 《巡礼周公——音乐考古与西周史》//中国艺术研究院音乐研究所, 中国艺术研究院艺术与文献馆: 《山高水长——纪念杨荫浏先生诞辰120周年文集》, 北京: 文化艺术出版社, 2021.4, ISBN 978-7-5039-7018-4, p. 350
▲ 傅庚生: 《中国文学批评通论》 (叶嘉莹, 陈斐: 《民国诗学论著丛刊》), 北京: 文化艺术出版社, 2018.1, ISBN 978-7-5039-6265-3, p. 8
▲ 马本立: 《湘西文化大辞典》, 长沙: 岳麓书社, 2000.7, ISBN 7-80520-903-0/G·137, p. 538
In the above picture, ⿰扌一, ⿰扌二, ⿰扌十, ⿰贝B, ⿸尸A have not been encoded.
There are three unencoded characters in this table, but ⿰出叕 (#6784) and ⿰耳休 (#6785) have not been submitted by any sources. BTW ⿰出叕 is also included in G4/G5. I suggest TCA do the horizontal extension for this character (⿰勿愛) and submit ⿰出叕 and ⿰耳休 as soon as possible if the table is important for the local people in Taiwan Province, and China NB could do the horizontal extension for ⿰出叕 later or submit ⿰出叕 with TCA at the same time.
▲ 陳慶元, 蕭慶偉, 朱仕玠, 林春虹: 《臺灣古籍叢編 第四輯 小琉球漫志 海東札記 楊廷理詩文選集 東槎紀略》, 福州: 福建教育出版社, 2017.3, ISBN 978-7-5334-7671-7, p. 81
Glyph Design & Normalization
Maybe the reason for TCA to choose TD-7A64 not TD-4A47 is that the person who uses TD-7A64 is a living person based on the evidence.
Editorial
Other
歌, semantic=欠, phonetic=哥
The phonetic elements are interchanged, we can get ⿰糹哥 and ⿰玄欠.
Data for Unihan
see p. 127 of L2/24-047
Based on Comment #5343 and #14881.
kCantonese seoi1
Note: The current kMandarin property value for U+4551 䕑 is jùn, but suī will be more common.
In the UK-submitted evidence, the Yue readings in 台山 and 开平 are [li³⁵] and [lei³⁵], that means the tone is 阴上.
Maybe we can consider creating this property in future.
“ciengz” is the 老借 form of 墙. 场 is also ciengz, and its Cantonese reading is coeng4; 抢 is ciengj, and its Cantonese reading is coeng2; ....